The Demoralization of Country Music

WARNING: This post is for CULTURE WARRIORS ONLY. You were warned.


INTRO

I thought about doing this post for a long time – maybe even before I started this site, which was back in September of 2018.

Then I actually FINISHED this post on September 14 of 2019.

And then I just let it sit in draft, for basically a year and a half. It just didn’t feel DONE, and people didn’t feel READY for it.

Well, today is DIFFERENT. I finished it up.

You see, NOW we read about “country rapper” Lil Nas X, who went from a novelty country song that nobody heard, to a video a few people saw, to a duet cover version with COUGH “father of Miley Cyrus” Billy Ray Cultural Marx… I Mean Billy Ray Cyrus, to an industry-self-congratulatory “CMA” award, to a guy in a cowboy hat with inverted crucifix earrings singing gay stuff to kids in some weird Disney deal, to…….

EVIL: Lil Nas X and MSCHF Release Nike Shoe Dedicated to Satan with a Pentagram and Human Blood in it – In a Limited Edition of 666 Pairs

Yeah. This is Country and Western on Chinese Fentanyl via Hollyweird.

OK. Let’s back up.

I KNOW that the issue of “country going downhill” is as old as country music itself. I mean, first there was ELECTRIC. And DRUMS. And ROCK. And OUTLAW. And…….

Yeah. Country changes. I get that. I LIKE that. SOME of the new stuff is really awesome, in that it actually mixes old root country with new interesting things. It reflects REALITY.

Country GROWS. Just like America. And beyond. That’s all good.

SIDEBAR: Kinda interesting that THEY chose to shoot up THIS guy’s concert.

THEORIES WELCOME.

W

And I even like some of the offbeat mutations. (Note, however, the CM on it.)

https://youtu.be/zFVcwQ__-Fo

And sometimes country is just neat when it’s almost out of nowhere.

Hands off this song, you bluegrass liberals! This one is ours! It’s just “old timey”!

https://www.youtube.com/watch?v=cTmCfSFh_0A

And sometimes, the COOL of the MODERN just makes me think that I’ll trade in my truck for some of that “transhuman” crap RIGHT NOW if that PORT in the side of my head means that I get to listen to amazing stuff like this:

BUT…….

That ain’t what I’m talkin’ about.

I’m not talking about the MUSIC as much as the MESSAGES.

I’m talking about YURI BEZMENOV and DEMORALIZATION – which is SMART and much more subtle than just random issues of cultural modernization in country.

You have to wait for about 1 minute into this video to get to the point where Yuri explains psychological demoralization and how it works, as the first step of ideological subversion.

This is where my red lines are crossed – where country music is being POISONED. And those red lines are RELIGIOUS, CULTURAL and (to some extent) POLITICAL, going back to the undermining of basic morality.

I think I started to become AWARE of it under Obama, or maybe even under Bush, but when some Hillary PAC put out a country music song about CANKLES – well – GOOD LORD.

NOT RESPONSIBLE FOR THOSE WHO DIE OF LAUGHTER WATCHING THIS VIDEO

Yeah, that was bad. But it got worse. The friggin’ CIA got on country stations, saying not to vote for Trump….

https://twitter.com/Zebedee222/status/1172259595055751169 (Account suspended by Twitter)

https://twitter.com/WOLFM00N/status/1172367461460697088 (Account suspended by Twitter)

Yeah, you’ll just have to imagine somebody saying something intelligent about CIA domestic influence ops, and me responding intelligently about lying Obama CIA deputy Mike Morell of Benghazi video fame showing up on iHeart Country Radio shilling for Hillary Clinton right before the 2016 election.

But freakin’ Choomer Rasputin….

Yeah – THAT GUY – deciding that you can’t hear this stuff. THAT is how desperate they were to get Trump out of office.

But LATELY, the manipulation of Nashville by Hollyweird colonists has gotten REALLY strange. Country songs have WEIRD MESSAGES that are straight-up VIRTUE SIGNALING to some unstated future manipulation agenda.

They’re actually half-messages – those Orwellian absolutes that mean nothing – not even nonsense. They’re unattached emotions declared “good”. They’re serious discernments declared “bad”. They are like lullabies to BABIES – to TODDLERS. “Love is good.” “Hate is bad.” They are “fallible truisms” – quarter-turns or half-turns to FULL ORWELL.

Sometimes they hint at where they will be applied politically, but often they are just generic virtue statements – to be applied later.

They aren’t even OLD TRUTHS – much less COMPLEX STORIES.

And STORY – that’s another story.

Let’s go back for a moment, for comparison. Back when the current forms of socialist politicization of country music were just getting started, under Bill Clinton, in the 90’s.

I didn’t see it then – or rather, I didn’t ADMIT TO MYSELF that it was happening then – but I can certainly SEE IT and ADMIT IT now.

There was a kind of “crypto-feminist story” country genre, in which liberal murder fantasies against “country boys” were fulfilled through aggrieved white women in virtue-signal-filled, plot-laden, country songs. that ended with dead white “bad guys” of unstated but ominous nature, who had “wronged” in various nebulous ways the women who needed to take vengeance – frequently the wife or daughter.

The BAD MEN were clearly abusers – but the songs were just ambiguous and poetic enough to make EVERY MAN GUILTY.

It was “Billie Rae Jack” – or GOD in her stead – killing the old white guys in radio format.

Of course, these songs always sounded GREAT, and I cheered along with their EXCITING PLOTS and ENERGIZING MUSIC – even though I knew that *I* was the guy who was gonna be killed by the wife or daughter for rolling my eyes at some giant tin chicken.

Sorry – couldn’t resist. We men have to stick together under these circumstances. *wink*

I miss Daughn. That’s how long ago I was writing this sucker.

Remember those? THOSE SONGS have been the LITMUS TEST that country women have had to perform to “get credibility”. THAT or similar “agenda” songs. Gotta do one of those. Ya know? Gotta PLAY TO THE AGENDA or the CAREER ain’t goin’ nowhere, babe. Can I call you babe?

*SPIT*

Now – I am going to WAKE YOU UP. Right now. FUTURE PROVES PAST.

I love Martina McBride, by the way. Not sure if her pixie face here is real or Photoship or whatever. This is nothing on her. This stuff is so smart, it flies past almost all of us. It weaponizes EVERYTHING WE LOVE and ONE TRUTH AFTER ANOTHER to sell a SOCIETY-CHANGING MYTH.

Go back and WATCH THIS. LOOK at ALL THE SYMBOLS and WHAT THEY SOLD.

Look at how they INVERTED EVERYTHING.

FUTURE PROVES PAST. It was pure psychology – smarter than almost ANYBODY.

Sorry – I have HAD IT with the cultural Marxist ABUSE of the entire country music lifestyle as a way to CHANGE US and DESTROY AMERICA.

So NOW THIS.

Jack Posobiec, doing some kind of penance for recent laziness, seems to be hitting them out of the park this last week.

OK – I did die of laughter there.

Thank goodness I saved that as an image.

Here is the actual tweet.

https://twitter.com/JackPosobiec/status/1172190086991101952 (Tweet gone, of course)

To which I simply HAD to respond:

https://twitter.com/WOLFM00N/status/1172280646754082822 (Yeah, my ENTIRE history on Twitter, only available to leftist “researchers” – meaning SOVIET stooges in academia.)

ANYWAY – finally – I’m putting it all together. What’s happening to country and western music.

The WAR ON COUNTRY has been going on a long time, and they have snuck in so many ringers, dupes and chumps – IN THE BACKGROUND – that “country” is starting to sound – quite frankly – nothing like country.

But just like “it’s not the MUSIC – it’s the MESSAGES“, we have the same thing here – it’s not the FACES, it’s the WORDS.

They use OUR faces – people we can relate to. PEERS.

The RINGERS are in the BACKGROUND. It is the SONG-WRITERS and THOSE WHO PICK WHICH SONGS GET AHEAD who are the real brokers of cultural Marxism in country.

By the way – is there anything in country music similar to the highly skewed cultural Marxist virtue signal emporium known as the “Black List”? If there was, that would sure explain a lot.

This is presumably the SAME as in media, where it’s not the REPORTERS, it’s the EDITORS.

See how it works? The ACTIVE PUPPETS ALWAYS hide behind HUMAN SHIELDS.

So – let’s dig more deeply into the assault. And here is how I see things.

There are two main forms of cultural Marxism attacking country – GENDER-BASED and BEHAVIOR-BASED.

GENDER AND COUNTRY

First of all, before we even deal with what is left in the country music scene, is the EVACUATION OF BIG TALENT.

Notice how FEMALE EXEMPLARS LEAVING COUNTRY (by any means necessary, or even BEFORE going country) is actually a “thing”. It’s a MESSAGE.

They always move the biggest ones OUT, too. ALWAYS.

THAT is a MESSAGE. It is an ONGOING and EVER-LASTING RURAL PURGE.

Nobody becomes MORE COUNTRY. Only LESS COUNTRY.

Remember that girl, when she was just a girl?

Stay with me, boys! I know it’s rough. It’s HARD to look away.

Kinda funny the way they have changed the objects of attraction from sexually dimorphic types to “boygirl” and “girlboy” types. Well, it’s INTENTIONAL. That’s why it changes so fast.

They are REWIRING ATTRACTION.

They are DECOUPLING ATTRACTION AND BIOLOGICAL GENDER.

They are REDEFINING OUR SEXUALITY.

They are MUTATING both the objects of attraction and the objects of self-image. Isn’t that the way that TRANS KIDS works, too? They are deconstructing GENDER FIRST and SEX NEXT.

Wait until pushy, face-palm, forcible TRANS hits country. Trust me – TRANS-COUNTRY is coming, and DON’T YOU BE A “HATER”, cuz YOU YOURSELF sung the anthems against “hate”.

You see what I’m sayin’?

We have NO VOICE in this, unless we fight it tooth and nail. And you had better fight NOW.

So now let’s get to BEHAVIOR, which is where the self-immolating CABAL gets more of the winnings from THEIR side of the deal.

BEHAVIOR AND COUNTRY

Yeah, Miley Cyrus ain’t country, and maybe she NEVER WAS, but that’s not how it works psychologically. Her relation to her FATHER matters subconsciously to you like a HOSTAGE, and THAT IS WHY THEY CHOSE HER. She will always will be a country baby hung over Hollywood crocodiles, psychologically, and THAT is why they did what they did.

They’re DEMORALIZING YOU.

WE THE VICTIMS pretend that psychology doesn’t last one second after the commercial, when the reality is that this stuff lasts our WHOLE LIVES and they have simply LIED TO US about it. They LIED to us that we can “change the channel” and it all goes away.

DO. NOT. BELIEVE THEM.

WAKE THE HELL UP and cut your cable, because on PRIME TIME they don’t show this stuff, but they TALK about it in the background of FAKE NORMAL.

You will notice that EVEN in the “six-mega-hit mash-up” video there is a massive appeal to easy lovin’ in almost every modern country ballad. I remember when this would have been as controversial in country music as #MeToo was for liberals a year ago. Yes, it was consensual premarital sex, but it was still SEX OUT OF WEDLOCK.

Trust me, this itty-bitty beginning of omnipresent sex in country doesn’t sound bad, but these people want WHITE FOLKS to start filling up the Cloward-Piven welfare rolls, and THIS is exactly how to do it, along with FENTANYL – fronted by the CHICOM PUPPETS. First they normalize the baby daddy, and then they normalize kicking him out, and then they normalize him running around proving that he’s a man using his stolen AR-15 as the new country gang-banger.

Sound familiar, but NEW, FRESH, and EXCITING?

The reason I get ahead of THEIR plots is because I can write THEIR stories before THEY bring them to reality. Before they FORCE and SUGGEST those stories into existence.

If you can’t see this shit coming from a mile away, and you would like to JOIN ME IN THIS WAR, then I strongly suggest that you need to cut your cable NOW.

Don’t listen to their chaff stories. Listen to your own.

The next WORLD WAR ain’t gonna be fought with anything like the last two.

It will be fought by PREDICTING THE FUTURE.

Be there before they even think about getting there.

W


PS – Addendum 2021

THIS article:

https://dailycaller.com/2019/11/13/billy-ray-cyrus-old-town-road-lil-nas-x/

This article really gives some insight into the “mentality of musical credibility” that is being used to sneak satanism into Country & Western music. You can just see how a slow and steady program of patient manipulation uses the desire of white and black Americans to “get along”, and the semi-knowing naivete of selected C&W artists, to allow the satanists and Luciferians to sneak in their devilish tricks.

LOL. Good Lord. When George Clooney playing a Soggy Bottom Boy is more real as Country music than Country music….

Nashville – we’ve got a problem.

Confessions of a Retrosexual Backtivist

OK. Confession time.

I’m not just a classic liberal – I’m a PALEOLIBERAL. Which in these incipient socialist times means that I now resemble a “classic conservative”.

Yeah, it’s complicated.

But the bottom line, is that I want America to be conservative enough that it’s MORALLY SAFE to be a wee bit liberal again, championing such radical things as a “wide interpretation” of the BILL OF RIGHTS.

You know – so I can be a flaming liberal moonbat like RAND PAUL!

OK – that’s not working. Let’s try something else.

This is a BOOK REVIEW. Of a GREAT BOOK. By a GREAT THINKER.

William S. Lind is a name I had heard of before, back on some blog we now call OT, otherwise known as CTH, or The Conservative Treehouse, or The Last Refuge. Lind’s name came up in the context of two great ideas, both of which I was heavily schooled in, by several of the sharp conservatives hanging out at Sundance’s place. Those ideas were:

  • 4GW – short for 4th Generation Warfare
  • Cultural Marxism in America

But if you look these up on Marxypedia, and search out any connection to William S. Lind, you will get the impression that he’s an unknown crackpot of some kind. HA! More deception by the communist occupation.

Lind is not without controversy, as BOTH of his claims to fame have been vociferously criticized by people who typically get FOUR OR MORE Suspicious Cats from me.

You know – like THE DAILY KOS.

The criticisms of Lind, in my opinion, give away his importance.

So as you might imagine, Lind’s name and his self-description as a “paleoconservative” on the back cover were very attractive to me – just as attractive as the 4GW paleo-hottie featured on the front cover of his book.

TIME WARS.

Cunning stuff, from the master of 4GW.

Yes, retroculture looks a bit like cultural retreat, and that is indeed part of its brilliance.

Retroculture is an extremely disruptive idea that was just waiting for somebody to BRAND it.

Retroculture was with me every time I grabbed OLD AMERICAN HARDWOOD AND STEEL HAND TOOLS from one more estate sale, to replace CHEATIN’ CHINESE POT METAL JUNK that broke during the first few uses.

Retroculture was with me and the wife, when we purchased our dear abode, which looks, how shall we say – “OLD-TIMEY”.

Retroculture was with me when I proposed to my dear wife, whose very old cultural roots were a bit n00by compared to some of mine, but were still old enough to guarantee retention of TIMELESS values.

I always wanted to CALL these thoughts of LONG-TERM AND PROVEN VALUE something.

RETROCULTURE is exactly what that something is.

Retroculture is, incidentally, the very idea that got Trump elected.

Really? Why?

BECAUSE WHEN PEOPLE WISH THEY COULD GO BACK TO A BETTER PAST, THE MAN WHO CAN ACTUALLY HELP THEM PULL IT OFF IS THEIR CHAMPION.

TIME TRAVEL TRUMP. Yeah. There is a REASON he seems so “timeless”. HE IS.

For those of you who REMEMBER, there was an episode of Original Star Trek called “All Our Yesterdays” – in which people on a planet facing a supernova ESCAPED INTO THE PAST.

This idea was unsettling. BUT what is quite possibly bothering you EVEN MORE right now is the EVEN MORE unsettling idea that this plot actually sounds better NOW than it did THEN.

ADMIT IT.

Let’s take a stroll……

But before we do, just a word of warning. Yeah, we know that Star Trek is filled with the usual Hollywood satanist and Illuminati symbolism, including Spock’s ears, but just keep your hat on for the duration of the ride. It’s not ALL satanic, demonic, and ugly. It’s. Just. Hollywood.

Here we go.

Kirk and the boys end up on some planet that they were thinking might need some HELP, and it turns out that everybody seems to be GONE.

Those old guys are lookin’ pretty good right there, AM I RIGHT? With age, comes discernment. You stop seeing things as “dated” and “old fashioned”, and you see past that stuff. SO……

If “old” Star Trek is lookin’ good to you now, just wait.

All our Star Trek hereoes get “accidentally or on purpose” lost in the past of this planet. Including Spock, who ends up going EXTREME RETRO. And who does he meet?

Remember Mariette Hartley? You kinda missing her right now? Think things mighta been better in Hollywood back then? This was TV, mind you.

Don’t get me started about the Westerns.

You ain’t seen nothin’. Watch this.

We weren’t racists back then. It’s a LIE.

We had INTER-SPECIES LOVE IN PRIME TIME. And I watched this as a KID with my PARENTS IN THE ROOM.

Yeah, the satanic ears probably sailed a lot of this stuff past the Hollywood creeps who would have otherwise nixed some ground-breaking sci-fi and “preppertainment”, but still – ignore for the moment. Factor it out. This wasn’t “The Gong Show”.

Lind correctly identifies the 1960s as where things started going to hell, but not without a valiant attempt to go where things SHOULD have gone – very likely under media victim Barry Goldwater.

Note how the Uhura-Kirk kiss wasn’t the only groundbreaking “civil rights” on television. How these proggies can claim we were racists back then is beyond ludicrous – it’s horsefeathers.

They LIE to us about our past, so they can drive us into THEIR vision of OUR future.

Just ONE random old TV show from the 1960s, betraying the relative innocence of America in only the EARLY Marxist takeover of Hollywood….

Ironically envisioning both PALEO PAST and RADICAL FUTURE…..

And yet it ALL seems so much more NORMAL and DESIRABLE than the INFLICTED INSANITY OF NOW.

Or maybe THIS is more your style. Hold that SCARY THOUGHT that PBS liberals might very well yearn for RETROCULTURE every bit as much as you do.

I mean, you don’t think that William “4GW” Lind would come up with an idea that wasn’t ACTUALLY dangerous to the dark side of the force, do you?

OR THIS….

https://youtu.be/_C25CwNlVjA

Note that this isn’t “real” in most senses – it’s actually a dramatization of code-breaking basics that the World War II code-breakers knew from the start. More than that, it’s also filled with PC encouragement of women to enter STEM. But THAT isn’t the point, either.

The point is that this movie, which I JUST. KEEP. USING. to demonstrate point after point about information warfare, is ULTIMATELY RETROCULTURAL, and that is why it works SO. DARN. WELL. People love retroculture because HISTORY proves its VALIDITY.

Retroculture throws all of our current chaotically ridiculous social and technical problems BACK IN TIME where they are SENSIBLE and SOLUBLE (including REJECTABLE) in a proven framework where GREATNESS WAS ACHIEVABLE.

And this brings up an important point which Lind addresses over and over, so that it gets past our ALINSKY FEARS – those fears that it’s all just some kind of “reenactment” written as large as our whole lives.

Retroculture is not mere NOSTALGIA, nor is it ABOUT nostalgia, although our current CULTURAL NOSTALGIA is indeed a SIGN that we are actually IN NEED OF retroculture.

Retroculture is something bigger and more profound.

Retroculture SOLVES PROBLEMS. And not necessarily in ways that socially damaging, urgency-foisting progressives want.

Retroculture is more about classic VALUES and LIFESTYLES than about the mere outward trappings of those times.

Retroculture is not any kind of “running away”, into the past. Retroculture is ENGAGING THE FUTURE on solid ground.

And SOME OF US on this very site may actually be a bit “ahead of the curve” on this stuff. Ya know? Look at all our own retrocultural symbolism and take comfort.


The idea of RETROCULTURE as the PROPER COURSE OF PROGRESS of America is such a BIG and profound idea, it escapes any attempt to box it in, and Lind knows this. Lind does not merely remind us that this sort of cultural re-examination and emulation of our classic past has happened before – and was GREAT for humanity – even great for HUMAN PROGRESS. Lind is actually able to make some easy yet startling predictions about what things might look like as this idea of retroculture takes over and defines the rest of this century.

You can’t read this book and not feel your head fill up with YOUR OWN IDEAS about what this means. Here is some of my thinking, inspired by Lind.


Retroculture is MOVEMENT, but it’s BIG MOVEMENT – more like a cultural paradigm shift. Political movements like MAGA and fads like steampunk fall like snowflakes within the mountain range of retroculture and the YEARNING for it, as tiny derivations and exemplars.

Retroculture is also something that I am quite sure scares the hell out of our faux “progressives” – seemingly better described as “regressives”. Why do you think our crypto-socialist social media czars, at the behest of Adam “Pencilneck” Schiff, banned the ultimately retrocultural “Natural News”?

Retroculture might actually be MORE POSITIVELY “progressive” than progressivism. This is shocking to even contemplate, but yet it seems likely. Part of retroculture’s 4GW appeal is that – no matter what liberals SAY, THEY TOO will find value in the past – and likely more than in the current, modern, incompetent, and faulty visions of progressivism.

Retroculture amounts to popular selection of principles by LIVING THEM, not just by TALKING about them. It is validation of tenets of both conservatism and liberalism which PROVE THEMSELVES WORTHY TO RETAIN – voted on BY PEOPLE with their very lives.

Retroculture is selective rejection of the present – of what things are NOT QUALIFIED to become part of our past – our LIVING, INTELLIGENT PAST.

What liberalisms DIE IN THE NOW are fads. What liberalisms are retained by THE PEOPLE are judged WORTHY and maybe someday CLASSIC, possibly enduring who knows how long.

Retroculture is the FINE SIEVE of a truly free and truly equal people which judges and chooses WISELY, not POORLY.

Retroculture is a rejection of CONTROLLING TECHNOLOGY and CONTROL BY TECHNOLOGY. It demands CONTROL OF TECHNOLOGY. It is utterly HUMAN.

Retroculture, embracing what the dishonest subset of modernists tell us must be rejected, instead REJECTS their lies, their fakery, and their deceptions, by CHOOSING what they FALSELY say is dead, and which therefore becomes alive by our mere act of CHOOSING TO LIVE IT.

Retroculture, free and selective, falsifies controlling globalism by its very existence. And yet retroculture, AWARE and never IN DENIAL, retains what powers – moral, cultural, and technical – are needed to defend itself. It’s pure and utter allegiance to TRUTH insures that it will never – can never – be destroyed. RETENTION OF TRUTH is in accordance with CREATION ITSELF.


But that’s JUST ME – running away with Lind’s amazing ideas, in my own directions. It is far more critical to simply take a look at LIND’S THINKING, which I can only begin to address here. And – as a way to share his thinking without stealing his thunder, I think his CHAPTER HEADINGS tell you everything you need to know, to understand that Lind wants you to (1) decide if retroculture is right for you, and then (2) implement a retrocultural lifestyle in the ways that are right for you.

If you are conservative, or old-fashioned in any ways, you are likely doing much of this already. However, Lind is offering you ways to UP YOUR GAME. Particularly if you’re more of a “crypto-retrocultural” like me, hiding behind modernist gimmicks which pass me off as unremarkable despite ANCIENT values. Lind challenges you to WEAR THE SIGNS and SPREAD THE FAITH.

  • Signs of Change [observations on the rise of overt retroculturalism]
  • Retroculture [defining retroculture and understanding its origins]
  • Getting Started [answering your real and basic questions about retroculture]
  • Retro-Homes [how retroculture can be happily expressed in your living space]
  • Retro-Families [how retroculture will flower in your most basic relationships]
  • Retro-Clothing [how you can brand yourself openly as part of retroculture]
  • Retro-Entertainment [how retroculture replaces the hated “fake entertainment”]
  • Retro-Manners [how retroculture changes our personal interactions and principles]
  • Retro-Travel [how your retro lifestyle can be expressed smartly in travel choices]
  • Retro-Business [how to do business according to older, more honest standards]
  • Retro-Service [how retroculture sees SERVICE as an honorable, moral, GOOD thing]
  • Retro-America [the promise that retroculture holds for America and Americans]

Now – let me go a bit beyond Lind and explain why this book is so dangerous – and how to make it even more dangerous.

If *I* was ARKTOS, the publisher, I would have about TEN versions of that cover. Why? Because everybody wants to either BE on that cover, or be ATTRACTED to the person on it.

Sure – jumping right out with that 1950’s white blonde in a dress was utter genius and a perfect thumb in the face of all that is PC, but trust me – EVERYBODY is going to want to get in on the act. RETROCULTURE lets everybody BE WHO THEY ARE WITHOUT GUILT, in beautiful and validated lifestyles that ACTUALLY WORK.

The very next cover, if I were doing it, would be some historical version of Candace Owens. Then maybe a young, swoonable Elvis Presley type. Then more. No matter what, it would show the IN YOUR FACE attractiveness of retroculture and retrosexuality to EVERYBODY.

YES – that genius cover is more than just retrocultural – it is specifically RETROSEXUAL.

This is why I admit that I’m not just a retrocultural – I’m a RETROSEXUAL. Our restrained yet artfully constructed, sexually dimorphic past – GUILTLESS in its beauty- was AWESOME. Sure – now we’ve learned not to be MEAN to well-behaved sexual minorities – but why are we demonizing NORMALCY as part of it? We were doing it right before, more or less, with just a few things that we can EASILY FIX NOW with reterocultural MANNERS (see the book).

That’s the whole POINT of retroculture. It’s not the past. It’s LIKE IT, only BETTER.

And I’m not just an activist – I’m a BACKTIVIST. I’m saying that the direction FORWARD is to ACTUALLY GO BACK. We have been DECEIVED FORWARD, so the PROPER ESCAPE from this WORLD OF MISTAKES we are in, is to simply GO BACK.

Do you see how amazingly dangerous this idea of RETROCULTURE actually is, to phony progressivism and spatially and temporally monolithic globalism? This is jumping the track to ALTERNATE HISTORY where Martin Luther King, Jr. NEVER DIED, and REFUSED – absolutely REFUSED to support racial quotas and all the other stupid stuff that the communists forced upon us.

RETROCULTURE leads to a world where all of the mistakes that were forced upon us after they killed Kennedy just plain NEVER HAPPENED.

RETROCULTURE IS TRUE REBELLION AGAINST PAST ERROR BY ADMITTING IT AND THEN GOING BACK TO FIX IT.

How could we not want this?

The truth is, WE ALREADY WANT THIS.

“Nothing can stop what’s coming.”

Look at your life. I will bet MONEY you are already adopting retrocultural memes, but are just shy about it, or even feeling a bit GUILTY.

Stop feeling guilty!

Here you go. List FIVE unfashionable, out-of-date, out-of-style, quaint, or old-fashioned things that you LOVE, timeless as they may be, but in some cases may feel that you can’t openly love them as much as you would like to love them.

Deep down – EVERYBODY LOVES THIS STUFF. EVERYBODY WANTS THIS STUFF.

They just need to embrace it guiltlessly while the cabal VAINLY tries to stop it.

The fashion and luxury industries LOVE this stuff, too. Reinventing the past with greater and greater authenticity yet adding some form of “new and shiny” polish is their DREAM COME TRUE.

Retroculture subverts all of the mistakes of the past and present – and it does so without being stupid or gullible.


NOW – we have to be ready for the commie cabal to counter with their own schtick, OR their usual criticisms. I’m sure there is some way they can gerrymander retroculture into “appropriation” of some kind, but that criticism is weak sauce – just ignore it. Humanity is too far along to worry about spreading good and classic ideas.

The greater danger, in my opinion, is a kind of faux retro that leads right back to progressive error.

To see this, you have to dig into Lind’s personal vision of Retroculture. These are not things you will assume at first have to be a part of Retroculture, but the fact is, any self-consistent version of Retroculture DOES HAVE THESE THINGS, because retroculture simplifies life, culture and technology.

Retroculture VALUES things like WALKING, and TAKING THE TROLLEY, and CONSERVING ENERGY, and BEING HEALTHY and GETTING BACK TO NATURE.

BUT HEY, WAIT A MINUTE!

One can almost envision Alexandria Ocacio-Cortez jumping up and down in her CIA white dress, biting her old-timey ruby-red lips, raising her hand excitedly, and saying “WE’VE GOT THAT!!!”

Yes, she does. But that’s not all there is to TRULY conserving retroculture. At the same time, retroculture embraces ALL of the smarter past, including HIGHER SMARTER VALUES like GETTING BACK TO GOD, and HIGHER SMARTER TECHNOLOGY for everybody when they want it – not just for a TECHNOCRATIC ELITE.

Retroculture includes the FEARLESS ADMISSION OF TIMELESS TRUTH.

So let’s be fearlessly BLUNT.

Their “Green New Deal” is really the GREEN NEW STONE AGE, ruled over by a political elite, supported by a technocratic elite, and based on LIES.

Retroculture – in America’s case – is a TRUTH-BASED RETURN TO CLASSIC VALUES ACROSS AMERICAN HISTORY AND ACROSS THE POPULACE.

THAT is a much bigger, better, and brighter thing.

You don’t think Lind and his editors put that plane in the picture for NOTHING – do you?

Of course not. SMART, MORAL retroculture is not about to get fooled ONE MORE MINUTE by shifty-eyed progressive techno-hoarding and communist privilege rationing.

Retroculture is not simply the past – it’s the FUTURE, too.


Now – you probably have a million specific questions, PROBLEMS TO POSE, and “whataboutisms” which you feel need to be addressed. LIND ADDRESSES THEM. JUST BUY THE BOOK.

The book is cheap. Eight dollars on Kindle, or nineteen dollars in paperback.

Get it, read it, and make your RETROCULTURAL PLANS.

This is not hard.

W

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